Shadows of Industry

A study of mill towns here in the North of England, once the centre of commerce and industry the textile industry is becoming a distant memory. Many of the mills that graced the landscape are falling into ruin, many demolished to make way for new developments but a lucky few solider on.


Click on photos to enlarge

Artist Statement

We live in an ever changing world and this applies equally to the architecture that surrounds us. Here in the North of England the textile industry is now all but forgotten. The titanic mills that once graced the landscape are changing, many fall into ruin and decay in the end being reduced to nothing more than a pile of rubble in order to make way for another modern featureless concrete and glass monstrosity. A few however, the lucky ones get a second chance at life, they are redeveloped into offices and homes and while they are often modernised the heart and soul of the building remains.

These photographs were created during the hours of darkness; while most people are safely in the comfort of their homes away from the mystery and the danger hiding in the darkness the world around us changes. A truly man-made landscape, mans architectural creations lit with the glow of tungsten, sodium and fluorescent. It is often a solitary world the redeveloped industrial complexes all bustling places during the daylight hours fall quietly into the darkness. The world is asleep, devoid of human presence and will remain, only to be woken by the first rays of dawn and the footsteps of commuters.

In the relatively short time I have been producing these photographs I have observed changes in the environment the relentless march of development continues and some of these mills no longer exist wiped from this earth, a piece of history destroyed forever. These photographs are a document, a moment in space and time, a snap shot of what once was and sadly as time moves on these photographs will become more of a history lesson to our industrial heritage.

Each photograph is a intimate handmade platinum print that combines both digital capture and the traditional platinum printing (platinotype) method patented by William Wallis in 1873. A sheet of watercolour paper is coated by hand with a platinum sensitiser solution before being contact printed under a high power UV light source, the print is developed in and passed through three clearing baths to ensure maximum permanence before being throughly washed and air dried. Each print measure just under 9 x 6 inches and is available in a limited edition of just 15.

Upcoming Exhibitions

Photographs from my Shadows of Industry project are going to be exhibited at the following venues…

Greenwood Tree Gallery, The Piece Hall, Halifax Dates: 9th April – Mid May 2012

Silverprint, London, SE1 8QH Dates: 30th May – 9th July 2012

Dean Clough Exhibition

 

Book Available

The Shadows of Industry portfolio in now available in book form. The paperback book measures 6×9 inches and is printed on uncoated stock that has a wonderful almost silky texture feeling somewhat similar to the original platinum prints.

Price £9.95 + shipping

Click here for preview and to order online.

Limited Edition Prints

The photographs in the Shadows of Industry portfolio are offered as limited edition handmade platinum prints, each print is available in an intimate size approx. 9×6 inches and are offered in a small edition of just 15.

The prints are supplied double matted and framed in a chunky solid wood frame. The print size 9×6 inches (23x15cm) and the finished framed print measures 20×16 inches (50x40cm).

Print Size Mounted Size Frame Size Price Framed
9×6 inches (23x15cm) 16×12 inches (40x30cm) 20×16 inches (50x40cm) £250

 

3 Comments

  1. Hi Mark

    This is such amazing work. I got so much inspiration by looking at your photos. Please keep up the good work!

    Best regards
    Tomas Eriksson, Sweden

  2. Jim Ponder

    I have been a photographer for more than four decades and have known many of thre greatest artists working in our medium including Ansel Adams, Laura Gilpin, Brett Weston, and Don Worth. It is my pleasure to state that Mark Voce’s images of abandoned structures in the mill towns of England are some of my favorite images in the history of photography. I am delighted to know that he is doing such wonderful work in carrying forward the traditions of view camera photography in the digital age.

    Jim Ponder, California

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